
Eddie van Halen - pe numele întreg Edward Lodewijk van Halen - este un olandez sosit în Statele Unite când avea şapte ani. Tatăl său, chitarist, avea obsesia numelor mari din muzică - astfel că pe Edward (Eddie) l-a numit şi Lodewijk, adică grafia olandeză a numelui Ludwig, prenumele lui Beethoven (tot un "van" adică), obsesie preluată şi de Eddie, care şi-a botezat fiul ca pe Mozart, adică Wolfgang.
Nu mai repet povestea - cum şi-a tocit degetele Quincy Jones sunând la Eddie van Halen pentru o colaborare la "Beat It", iar van Halen, crezând că cineva-i joacă o farsă, i-a trântit telefonul în nas. Altceva mi-a atras atenţia: un articol numit "Eddie van Halen a cântat gratis pentru Michael Jackson". Acum, să fim cinstiţi, nu pentru Michael Jackson cânta el la ora aia gratis, ci pentru Quincy Jones. De Jackson nu auzise (nu era rocker), dar de Jones - da (era jazzman). Şi pe "Q" chiar îl admira. Ce spune el mai jos e post-festum şi trebuie, nu-i aşa, să transforme o poveste oarecare într-o legendă. În plus, cineva spunea, în glumă (www.songfacts.com), că a fost plătit: cu 12 cutii de bere, cumpărate special de Jones pentru ora/orele petrecute de van Halen la înregistrări.
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Put this in the category of "this will never happen again in our lifetime," but I was amazed to find that Eddie Van Halen recorded the solo for Michael Jackson's "Beat It" for free. The solo is a perfect example of the amazing nuance Van Halen can bring to a guitar part with what was, at that time, groundbreaking technique.
Steve Lukather (Toto, Boz Scaggs), a phenomenal guitarist in his own right, shared some great information about his and Van Halen's contributions to "Beat It."
From SteveLukather.net:
Rock guitarist Eddie Van Halen was interviewed by Rolling Stone magazine in 1984. In the interview, he explained why he didn't ask for any royalties over the sales of Beat it, the song on which he plays a guitar solo. "I did it as a favor. I didn't want anything. Maybe Michael will give me dance lessons someday. I was a complete fool, according to the rest of the band [Van Halen], our manager and everybody else. I was not used. I knew what I was doing. I don't do something unless I want to do it."
Steve Lukather: "Quincy Jones and Michael took a skeleton version of Beat it up to Eddie Van Halen's place as they wanted him to solo over the verse section. However, he played over a section that had more chord changes. So to fit his solo to where it went in the song, they had to cut the tape which took a lot of time to synchronise together."
"After they had managed this, Jeff Porcaro and me were called in to bind Eddie's solo and some haphazard percussion which was a major headache. Initially, we rocked it out as Eddie had played a good solo but Quincy thought it too tough. So I had to reduce the distorted guitar sound and this is what was released. It was a huge R&B/rock success for us all really and helped pave the way for the bands of today that fuse these styles."
Urmează o filmare cumplit de proastă de la concertul de la Dallas, dar se pare că e singura (mai săpăm, dar nu cre'că...), oricum - se văd cei doi pe scenă, alături de "notele de subsol", cum i-a numit cineva pe fraţii lui Michael:
Cineva a avut curiozitatea de a "scoate" de pe înregistrarea cu "Beat It" doar partea lui van Halen. Uite ce a ieşit:
Excelente cronicile la Beat It - contribuţia lui van Halen - consemnate chiar în Wikipedia, mă refer mai ales la cele spuse de Robert Christgau, un reputat (la ei) critic rock:
Robert Christgau claimed that the song, in which Eddie Van Halen "wends his night in the service of antimacho", is the "triumph and the thriller"
Mai e de spus că Eddie van Halen şi-a construit singur o chitară, pe care a botezat-o Black and White (putea să pună acolo un "or"). Mă gândesc că pe chitara pe care şi-ar fi putut-o construi Slash s-o cheme Beat It. Nu?